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The Everyday Dramas of Manhattan Rush Hour
Salacuse is the kind of person who always seems to have a project or five under way. I first met him in 2000, and we’ve been friends ever since....

The President Who Became a Prophet
On April 1st, the day before President Donald Trump’s tariffs cratered global markets, House Speaker Mike Johnson told reporters “to trust the President’s instinct on the economy.” In the...

On “I’m the Problem,” Morgan Wallen Goes Back to God’s Country
Morgan Wallen is a country singer, almost defiantly so, though he is also popular on a scale that seems to circumvent genre entirely. Each of Wallen’s past two albums...

Hilton Als on the Visionary World of Alva Rogers
I met Alva Rogers years ago, through a mutual friend, and her various incarnations—actress, singer, artistic director, writer, puppeteer—have always been remarkable to me. As a young woman, Rogers...

“Overcompensating” Is a New Kind of Coming-Out Comedy
Benny Scanlon, the protagonist of the new comedy “Overcompensating,” is the kind of boy mothers don’t know to warn their daughters about. Tall, handsome, and polite, Benny—played by Benito...

Dolly Parton’s Quietly Inspiring Defense of Marriage
Abelard and Heloise, Vladimir and Véra, Prince Albert and Queen Victoria: to these historic his and hers, I would add Carl and Dolly. That’s Dean and Parton, the Tennessee...

When a Writer Takes to the Stage
Writers who contemplate going onstage tend to fall into two camps: those who know better and those who should but don’t. Of the second kind, The New Yorker has,...

A Day in the Live-Streamed Life of Donald Trump
In Donald Trump’s first term, he reinvented many things about how the job of President was done. The strictly scheduled day of his predecessors—the rigid procession of fifteen-minute meetings,...

On “Hacks” and “The Studio,” Hollywood Confronts Its Flop Era
For years now, Hollywood has been on a losing streak. In the film and television business, good news has been harder to come by than original stories, with the...

Jeremy Jordan Mines “Floyd Collins” for Its Sonic Gems
Adam Guettel and Tina Landau’s 1996 musical about a trapped caver resurfaces on Broadway, and Shayok Misha Chowdhury and Mona Pirnot play metaphysical games. Source link